Our programmes for preschools and the individual grades of elementary and secondary school will definitely convince pupils of all ages that classical music need not always be serious and certainly should never be dull.
We accept ticket orders for programs for schools in the 2024/2025 season from 3. 6. 2024 20.00. Thank you.
Come see and hear a remarkable number of percussion instruments! You will visit a world of traditional and exotic percussion: coconuts, gourds, and even hooves. We’ll show you the influence rhythmic accompaniments have on the sound of classical compositions, and there will also be film music.
How does it feel to find yourself locked up behind the bars… And all that moving! You have to be really strong to keep going! Who will be able to master a fingerboard as long as a court case? And where does walking bass come from? Philharmonic musician Adam Honzírek will strike a playful note, not afraid of even the hardest strings.
Kryštof was adventurous by nature; he had to be courageous and determined when he set out on such a long journey. He also showed his courage and creativity when he came back home to this country, where he was able to win the favour of Emperor Rudolf II. Even 400 years later, we can take inspiration from this important nobleman.
You can't stop progress. We send emails instead of letters, read e-books instead of paper ones, and encyclopedias are just online these days. What if the virtual world arrived in museums as well? Can your team solve everything necessary in an escape game and rescue important artefacts from the life of a great composer?
Time is speeding up. Artificial intelligence is no longer just science fiction. Get ready for a daring breakthrough in the music world - the concert iPhilharmonic, where orchestral musicians will be led not by a robitic hand with a baton, but directly by an interactive application. We'll show you that music is just as powerful as algorithms.
Our concerts with the Czech Philharmonic Youth Orchestra tend to be voyages of discovery. We often attempt (figuratively) to get inside composers’ heads to see how they thought when writing a particular work, or we look for the important crossroads that were decisive for the form a work would take. But above all, we discover the music itself. After all, classical music does not have to be something remote (to the contrary, it can be one of the kinds of music closest to us) if we open ourselves up and devote real interest and attention to it. And if we like it at least a little bit. Then we always find more in it than we might expect.
